This is a fundamental crash course to Zbrush aimed at a Texture artist point of view. Navigation and 3D Primitives are covered.
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How To:
Use Projection Master in Zbrush
How To:
Fix scale issues when rigging a character in Zbrush
How To:
Create hair in Maya and transfer it to Zbrush
How To:
Sculpt a torso in Zbrush from a Zsketch base
How To:
Make a superhero costume for a character in Zbrush
How To:
Hide and reveal elements of a model in Zbrush 3
How To:
Present Zbrush work in a portfolio
How To:
Mirror geometry in Zbrush
How To:
Set up image planes in Zbrush 3.1
How To:
Project 3D details from one mesh to another in ZBrush
How To:
Fix a hole in a mesh in Zbrush 3.1
How To:
Add Zspheres to a sculpted character in Zbrush 3.1
How To:
Place eyes in your characters using Zbrush 3.1
How To:
Paint on a model in Zbrush
How To:
Set up 3 point lighting in Zbrush 3.1
How To:
Apply texture maps to a creature in Zbrush 3
How To:
Create displacement maps in Zbrush for Maya
How To:
Use and combine subtools in Zbrush
How To:
Rig a Zbrush character in Maya & import it to Zbrush
How To:
Use Zspheres in Zbrush
How To:
Use Projection Master in Zbrush
How To:
Fix scale issues when rigging a character in Zbrush
How To:
Create blendshapes to animate faces in Zbrush
How To:
Sculpt a torso in Zbrush from a Zsketch base
How To:
Sculpt the details of a shoe in 3D using Zbrush
How To:
Sculpt fabric in 3D using Zbrush
How To:
Sculpt a War-Sloth using Zbrush
News:
Real or Not Real?
How To:
Make a squirkle in Zbrush 3.1
How To:
Use Zspheres in Zbrush
How To:
Work with alphas in Zbrush
How To:
Paint on a model in Zbrush
How To:
Use Zapplink with Zbrush 3.1
How To:
Paint with pixels in Zbrush
How To:
Mirror geometry in Zbrush
How To:
Achieve a smoother model in Zbrush
How To:
Use basic sculpting methods in Zbrush 3.1
How To:
Use Andrew Loomis's art for reference in Zbrush 3.1
How To:
Start sculpting in Zbrush 3.1
How To:
Navigate in Zbrush 3.1
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